Master of Frankfurt

St Catherine

854 achterzijde
854 ingelijst
854 voorzijde
854 voorzijde

Master of Frankfurt
St Catherine

c. 1510-1520 Expuesto en Sala 7

Catherine of Alexandria was one of the most popular female saints in the late Middle Ages. She is recognisable by her instruments of torture: the sword and wheel that lies broken at her feet. Here Catharine wears a magnificent gown that has been painted in meticulous detail. Equally detailed is the depiction of the surrounding countryside.

This painting belongs with the panel hanging to the right. Together they formed the side panels of an altarpiece that is now in Liverpool. The painter is an anonymous Antwerp artist known rather misleadingly as the Master of Frankfurt.

Detalles técnicos
854 voorzijde

Master of Frankfurt
St Catherine

c. 1510-1520 Expuesto en Sala 7

Subir

Detalles

Información general
Artista Master of Frankfurt
Título St Catherine
Fecha c. 1510-1520
Nombre del objeto painting
Número de inventario 854
Expuesto en Sala 7
Material y detalles técnicos
Técnica oil
Material panel
Dimensiones 158.7 x 70.8 cm

Origen

George Grenville, first Marquess of Buckingham, Stowe, before 1783, and his heirs; George Donaldson Gallery, London, before 1914; Walter von Pannwitz (1856-1920), Berlin, c.1914-1920; his widow, Cathalina von Pannwitz-Roth (1876-1959), Bennebroek and Heemstede, 1920-1940 (cat. 1926, no. 21); sold by her via W.A. Hofer to Hermann Göring, Berlin, 18 October 1940; Stichting Nederlands Kunstbezit, (inv. no. NK 2554); on loan to the Mauritshuis, 1948-1960; transferred, 1960

artworkdetail.nkcollection

This painting is part of the Netherlands Art Property Collection (‘NK collection’): objects that were stolen, seized or purchased during the Nazi regime. After the Second World War they were placed under the administration of the Dutch State. In recent decades, applications for restitution are taken into consideration again and some objects have been returned to the heirs of their rightful owners.

For more information: visit our page on provenance research